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Musk's X has taken down hundreds of Hamas-linked accounts, CEO says_我的网站
A | 8月18日晚7:30，山东省会大剧院歌剧厅内座无虚席，灯光渐次亮起，大幕徐徐拉开。 LONDON -- The European Commission on Thursday made a formal, legally binding request for information from Elon Musk's social media platform X over its handling of hate speech, misinformation and violent terrorist content related to the Israel-Hamas war.It is the first step in what could become the EU's inaugural investigation under the Digital Services Act, in this case to determine if the site formerly known as Twitter is in compliance with the tough new rules meant to keep users safe online and stop the spread of harmful content.San Francisco-based X has until Wednesday to respond to questions related to how its crisis response protocol is functioning. Responses to other questions must be received by Oct. 31. The commission said its next steps, which could include the opening of formal proceedings and penalties, would be determined by X's replies.Representatives for X did not immediately respond to a message seeking comment. The company's CEO, Linda Yaccarino, said earlier that the site has removed hundreds of Hamas-linked accounts and taken down or labeled tens of thousands of pieces of content since the militant group's attack on Israel. One social media expert called the actions “a drop in the bucket."Yaccarino on Thursday outlined steps taken by X to combat illegal content flourishing on the platform. She was responding to an earlier letter from a top European Union official for information on how X is complying with the EU's new digital rules during the Israel-Hamas war. That letter, which essentially served as a warning, was not legally binding — the latest one, however, is. “X is proportionately and effectively assessing and addressing identified fake and manipulated content during this constantly evolving and shifting crisis,” Yaccarino said in a letter to European Commissioner Thierry Breton, the 27-nation bloc's digital enforcer.But some say the efforts are not nearly enough to tackle the problem.“While these actions are better than nothing, it is not enough to curtail the misinformation problem on X,” said Kolina Koltai, a researcher at the investigative collective Bellingcat who previously worked at Twitter on Community Notes. “There is an overwhelming amount of misinformation on the platform," Koltai said. "From what we have seen, the moderation efforts from X are only addressing a drop in the bucket.” Since the war erupted, photos and videos have flooded social media of the carnage, including haunting footage of Hamas fighters taking terrified Israelis hostage, alongside posts from users pushing false claims and misrepresenting videos from other events. The conflict is one of the first major tests for the EU’s groundbreaking digital rules, which took effect in August. Breton fired off a similar letter Thursday to TikTok, telling CEO Shou Zi Chew that he has a “particular obligation” to protect child and teen users from “violent content depicting hostage taking and other graphic videos” reportedly making the rounds on the video sharing app. For X, changes that Musk has made to the platform since he bought it last year mean accounts that subscribe to X's blue-check service can get paid if their posts go viral, creating a financial incentive to post whatever gets the most reaction. Plus, X's workforce — including its content moderation team — has been gutted.Those changes are running up against the EU's Digital Services Act, which forces social media companies to step up policing of their platforms for illegal content, such as terrorist material or illegal hate speech, under threat of hefty fines. “There is no place on X for terrorist organizations or violent extremist groups and we continue to remove such accounts in real time, including proactive efforts,” Yaccarino wrote in the letter posted to X.X has taken action to “remove or label tens of thousands of pieces of content,” Yaccarino said, pointing out that there are 700 unique Community Notes — a feature that allows users to add their own fact-checks to posts — "related to the attacks and unfolding events." The platform has been “responding promptly” and in a “diligent and objective manner” to takedown requests from law enforcement agencies from around the world, including more than 80 from EU member states, Yaccarino said. Koltai, the researcher and former Twitter employee, said Community Notes are not an “end-all solution to curtailing misinfo” and that there are gaps that the feature just can't fill yet.“There are still many videos and photos on X that don’t have notes that are unmoderated, and continue to spread misleading claims,” she said. Since Musk acquired Twitter and renamed it, social-media watchers say the platform has become not just unreliable but actively promotes falsehoods, while a study commissioned by the EU found that it's the worst-performing platform for online disinformation. Rivals such as TikTok, YouTube and Facebook also are coping with a flood of unsubstantiated rumors and falsehoods about the Middle Eastern conflict, playing the typical whack-a-mole that erupts each time a news event captures world attention.Breton, the EU official, urged TikTok's leader to step up its efforts at tackling disinformation and illegal content and respond within 24 hours. The company did not reply immediately to an email seeking comment. Breton's warning letters have also gone to Mark Zuckerberg, CEO of Facebook and Instagram parent Meta. —AP Technology Writer Barbara Ortutay in Oakland, California, contributed to this report.。国家艺术基金2026年度大型舞台剧资助项目、济南市歌舞剧院原创音乐剧《时间去哪儿了》迎来首场正式演出。 以想象之眼 重新审视每一个平凡的日子 《时间去哪儿了》以一个极具寓言色彩的设定展开叙事——世间有一座银行，人们可以将“闲置的时间”存入其中，坐收利息。
B | 时间由此成为一种可以流通、计量、甚至增值的存在，而那些被我们漫不经心度过的日常，忽然都有了被重新审视的可能。
C | 在这一精妙的叙事框架之下，人物的命运交织呈现：经营茶咖小店的秒秒、怀揣梦想在城市中跋涉的青年小喆、手艺精湛的理发师剪刀坦、奔波于厨灶间的蜗牛哥与蜗牛嫂、多年坚守小镇的扫地人老默，以及默默守护时间秩序的时间老人与发条。他们并非遥不可及的童话，而是我们身边每一个普通人的缩影——日复一日地忙碌、错过、追忆、释怀，在时间的洪流中寻找着属于自己的意义。 这部剧的独到之处在于：它没有给出关于“时间”的宏大论述，而是将目光投向那些最容易被忽略的细微瞬间——一杯茶的温度、一句未说出口的告别、一个被搁置的梦想、一次迟到的回望。当这些碎片在舞台上被重新拼合，每一位观众都能在其中辨认出自己的面孔。 以音乐为叙事主体 构建情感的多重纵深 全剧包含20首原创音乐作品，唱段总时长近100分钟，贯穿始终。
D | 有别于传统音乐剧以台词为主、以歌曲为辅的叙事模式，《时间去哪儿了》大胆地将音乐置于叙事引擎的位置——旋律不只是情感的渲染，更是故事推进的内在驱动力。 首演现场，音乐展现出极强的情绪穿透力。多处段落中，台上演员的歌声与台下观众的呼吸融为一体，给观众带来极强的沉浸感。尤其是全剧尾声，主题曲的旋律响起，整个剧场陷入深沉的静默——那是千言万语凝结成的一种共同感受。
E | 首演之夜 观众的反响是最真实的评价 “我原本以为是来看一个热闹的故事，没想到越看越往心里去。”一位观众在散场后表示，“舞台上演的好像就是我自己的生活，只是从来没有被这样讲出来过。”有年轻观众在留言中写下：“走出剧场以后，突然特别想给家人打个电话。” 这种跨越年龄、跨越阅历的情感共鸣，正是《时间去哪儿了》最可贵的艺术品质——它没有试图说教，只是把每个人都经历过却来不及细想的事情，郑重地摆在你面前，让你自己去感受、去思考。
F | 走出济南 将抛问带向远方 首演的成功只是一个开始。
G | 《时间去哪儿了》在完成本轮济南演出后，将随即开启全国巡演，并同步推进“高雅艺术进校园、进社区”系列活动，让这部作品走出剧场、走近更广泛的观众群体。 剧组在大剧院前厅特意设置了一座沉浸式的时光空间。一面“美好回忆之墙”静候着每一位到场的观众——一棵“时间之树”旁，跨越60年的日历铺满墙面。观众朋友们纷纷在墙前合影留念，在日历上郑重按下自己的手印，将生命中那些值得铭记的时刻留在了这棵树上。这座时间之墙也将跟随巡演去往更多地方，在每一座城市的剧场门前收集新的印记，长成一棵跨越时空的集体记忆之树。 导演李大海在谢幕后表示：“我们希望《时间去哪儿了》不仅是一场演出，更是一次与观众共同完成的关于时间的对话。当灯光暗下、旋律远去，如果每位观众都能在心里多停留一刻，想一想自己的时间该如何度过——那就是这部作品最大的意义。
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